The Era of Contemplation

Dates

21 October - 4 December 2022


Venue

Andong Culture and Art Center

Gyeongsangbuk-do


Artists

Wang Qingsong

Yao Lu

Zhang Kechun


Support

Ministry of Culture, Sports and Tourism

Korea Culture and Arts Centers Association

Korea Sports Promotion Foundation

Over the past 30 years, Chinese society has undergone significant changes. After joining the World Trade Organization (WTO) in 2001 and opening its market, China achieved tremendous economic growth. As a result, multinational companies from around the world entered China, leading to the development of various industries. The major cities in China are expanding rapidly, and the urban residents are fiercely competing for survival, regardless of age or gender.


Amid this rapid growth, three Chinese photographers reinterpret modern Chinese society through their unique perspectives. Wang Qingsong captures the underbelly of Chinese society by staging large-scale sets to document it. Yao Lu utilizes digital techniques to present contemporary landscapes reminiscent of traditional Chinese paintings. Zhang Kechun focuses on the changing scenery of cities and nature due to urban expansion. Their works reflect the new landscapes that contemporary Chinese society is experiencing amid rapid growth.


When we understand each other's environments and cultures, we can become closer friends. Art serves as an important tool that gently breaks down long-standing barriers and opens our hearts. Thus, art can show each other's true selves in the purest way, free from political and diplomatic disagreements.


์ง€๋‚œ 30๋…„ ๋™์•ˆ ์ค‘๊ตญ ์‚ฌํšŒ๋Š” ๋ˆˆ์— ๋„๊ฒŒ ํฐ ๋ณ€ํ™”๋ฅผ ๊ฒช์—ˆ๋‹ค. 2001๋…„ ์„ธ๊ณ„๋ฌด์—ญ๊ธฐ๊ตฌ(WTO)์— ๊ฐ€์ž…ํ•˜๊ณ  ์‹œ์žฅ์„ ๊ฐœ๋ฐฉํ•˜๋ฉด์„œ, ์ค‘๊ตญ์€ ์—„์ฒญ๋‚œ ๊ฒฝ์ œ ์„ฑ์žฅ์„ ์ด๋ฃจ์—ˆ๋‹ค. ์ด๋กœ ์ธํ•ด ์„ธ๊ณ„์˜ ๋‹ค๊ตญ์  ๊ธฐ์—…๋“ค์ด ์ค‘๊ตญ์— ์ง„์ถœํ•˜๊ณ , ๋‹ค์–‘ํ•œ ์‚ฐ์—…์ด ๋ฐœ์ „ํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ์ค‘๊ตญ์˜ ๋Œ€๋„์‹œ๋Š” ์ ์  ํ™•์žฅ๋˜๊ณ  ์žˆ์œผ๋ฉฐ, ๊ทธ๊ณณ์—์„œ ์‚ด์•„๊ฐ€๋Š” ๋„์‹œ๋ฏผ๋“ค์€ ์ƒ์กด์„ ์œ„ํ•ด ๋‚จ๋…€๋…ธ์†Œ๋ฅผ ๊ฐ€๋ฆฌ์ง€ ์•Š๊ณ  ์น˜์—ดํ•˜๊ฒŒ ๊ฒฝ์Ÿํ•˜๊ณ  ์žˆ๋‹ค.


์ด๋Ÿฌํ•œ ๋น ๋ฅธ ์„ฑ์žฅ ์†์—์„œ ์ค‘๊ตญ ์‚ฌ์ง„๊ฐ€ ์„ธ ๋ช…์€ ๊ฐ์ž์˜ ์‹œ์„ ์œผ๋กœ ํ˜„๋Œ€ ์ค‘๊ตญ ์‚ฌํšŒ๋ฅผ ์žฌํ•ด์„ํ•˜์˜€๋‹ค. ์™•์นญ์†ก์€ ์ค‘๊ตญ ์‚ฌํšŒ์˜ ์ด๋ฉด์„ ๊ฑฐ๋Œ€ํ•œ ๊ทœ๋ชจ์˜ ์„ธํŠธ๋กœ ์—ฐ์ถœํ•˜์—ฌ ๊ทธ ๋ชจ์Šต์„ ๊ธฐ๋กํ•œ๋‹ค. ์•ผ์˜ค๋ฃจ๋Š” ๋””์ง€ํ„ธ ๊ธฐ๋ฒ•์„ ํ™œ์šฉํ•ด ํ˜„๋Œ€์ ์ธ ์‚ฐ์ˆ˜ํ™”๋ฅผ ์„ ๋ณด์ธ๋‹ค. ์žฅ์ปค์ถ˜์€ ๋„์‹œ์˜ ํ™•์žฅ์œผ๋กœ ๋ณ€ํ™”ํ•˜๋Š” ๋„์‹œ์™€ ์ž์—ฐ์˜ ํ’๊ฒฝ์„ ๋‹ด์•„๋‚ธ๋‹ค. ์ด๋“ค์ด ๋ณด์—ฌ์ฃผ๋Š” ์ค‘๊ตญ์˜ ๋ชจ์Šต์€ ๊ธ‰์†ํ•œ ์„ฑ์žฅ ์†์—์„œ ํ˜„์žฌ ์ค‘๊ตญ ์‚ฌํšŒ๊ฐ€ ๊ฒช๊ณ  ์žˆ๋Š” ์ƒˆ๋กœ์šด ํ’๊ฒฝ์„ ๋ฐ˜์˜ํ•œ๋‹ค.


์„œ๋กœ์˜ ํ™˜๊ฒฝ๊ณผ ๋ฌธํ™”๋ฅผ ์ดํ•ดํ•  ๋•Œ, ์šฐ๋ฆฌ๋Š” ๋”์šฑ ๊ฐ€๊นŒ์šด ์นœ๊ตฌ๊ฐ€ ๋  ์ˆ˜ ์žˆ๋‹ค. ์˜ˆ์ˆ ์€ ์˜ค๋žœ ์žฅ๋ฒฝ์„ ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ํ—ˆ๋ฌผ๊ณ  ๋งˆ์Œ์˜ ๋ฌธ์„ ์—ด๊ฒŒ ํ•ด์ฃผ๋Š” ์ค‘์š”ํ•œ ๋„๊ตฌ์ด๋‹ค. ๋”ฐ๋ผ์„œ ์˜ˆ์ˆ ์€ ์ •์น˜์ , ์™ธ๊ต์  ์ด๊ฒฌ ์—†์ด ๊ฐ€์žฅ ์ˆœ์ˆ˜ํ•˜๊ฒŒ ์„œ๋กœ์˜ ๋ชจ์Šต์„ ๋ณด์—ฌ์ค„ ์ˆ˜ ์žˆ๋Š” ๋ฐฉ๋ฒ•์ด๋‹ค.

 



Three photographers have a greater affection for their country than their self-love as an artist. China achieved a remarkable miracle of the continent with its reform and opening. However, they led us to contemplate what future China needs to pursue by raising questions about the people living in and changing society and nature. The path that artists who live in the same era must walk. That is the power of photography.


Seok Jae-hyun(Curator)



Highlighted Works


Artists

 

Portrait of Wang Qingsong, ยฉWang Qingsong

 

Portrait of Wang Qingsong, ยฉWang Qingsong

Wang Qingsong 


WANG Qinsong was born in the countryside in the 1960s and claimed that just by knowing more about society, photographs could feel the warmth of humanity. He faced the <Glorious Life> that showed off its rapid growth after passing an era where people considered becoming rich is a proud thing. However, behind it, there was a forged reality existed. The discord made by western culture when they didn’t get adapted well to the Chinese environment and the gap between a vague reality and an absurd dream. WANG Qingsong uses the unique ‘role play’ mechanism to contemplate these social dilemmas that glorious life behind economic development.

Yao Lu


The photographer YAO Lu captures China’s never-ending development scene along with Deng Xiaoping’s Black cat, White cat theory ("Black cat or white cat, if it can catch mice, it’s a good cat." ้ป‘็Œซ็™ฝ็Œซ่ซ–) in <Concealment and Restructuring>. It looks like a landscape drawn in traditional Chinese style. However, if you look closely, there is a green net wrapped around the garbage instead of the forest and lake. We can see the contemplation of the photographer that the world needs to flow more harmoniously from the landscape where many lands and forests are missing.

 

Portrait of Yao Lu, ยฉ Yao Lu

 

Portrait of Yao Lu, ยฉ Yao Lu

 

Portrait of Zhang Kechun, ยฉ Zhang Kechun

 

Portrait of Zhang Kechun, ยฉ Zhang Kechun

Zhang Kechun


The smallness of man in the vastness of nature, photographer Zang Kechun presents the changed scenery by China’s rapid development through his calm gaze of contemplation in his work called <Among Mountains and Water>. The change made by the physical ‘fast’ of super-high growth seems glamorous on the surface. But, behind that glamourous change, a new world that people haven’t noticed is also growing. He expresses slowly and calmly that the environment across China is destroying and the unaware reality that people’s life is changing by development. As well as the present is struggling under the name of development.

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